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Tuesday, March 25, 2008
Great News and Congrats All Around! Our TWO THUMBS UP!!!!!!!! Congrats to Nia Marjani King , on your AMAZING!!!!!! news and endeavors....Let's talk right away...give me a call...201-394-7304! Congrats to Crawford Clennon King....on your upcoming graduation from The Putney School in Putney, VT. on June 1st...I know everyone is invited to attend. Have you decided which Art School you'll be attending in September? Congrats to Wolfgang Chevene Jorde on your upcoming graduation in mid-June from The Bank Street School in NYC. The Dwight Englewood School won out over acceptances to The Trevor Day School, The Dwight School and Columbia Prep! Congrats to Raquel King ......Feliz Quinceanera!
Friday, June 29, 2007
LINES Ballet Tours Austria June 21-24, 2007 Photos from Alonzo in Austria: Thursday, April 12, 2007
LINES Ballet Shaolin Premiere April 13-22 Wednesday, April 11, 2007
LINES Ballet Newsletter - February 2007 Saturday, December 09, 2006
Jonathan T. King, Ph.D, Congratulations! Research Synopsis (1) The student's family The research attempts to uncover whether the success of Hispanic and African-American students who are currently enrolled in San Antonio Education Program, was based primarily on external factors, internal factors, or both. It will also attempt to determine the primary reasons why these students enrolled into the SAEP program, and to what extent their participation in the program impacted their decision to attend college. The research for this study was conducted during the month of July, 2006. Of the forty-two students who participated in this research project, thirty were Hispanic and the other twelve students were of African-American descent. You can contact Jonathan at jonking_2000@yahoo.com Posted by BJS on 12/09/06 at 4:19 am EST Wednesday, December 06, 2006
Alonzo King Awarded a $50,000 USA Fellows Grant Choreographer Alonzo King (b. 1950s, lives in San Francisco) is the founder and artistic director of LINES Ballet in San Francisco, California. King is one of the foremost innovators in contemporary ballet, adapting its forms and discipline for today’s audiences. He has created works for Alvin Ailey, the Dallas Opera, the Joffrey Ballet, the Royal Swedish Ballet, and the June Watanabe Dance Company, among others. King’s works have been performed recently at Kraftwerk in Wolfsburg, Germany; the Yerba Buena Center for the Arts in San Francisco; and City Center in New York City. He received an honorary doctorate from Dominican University of California, the Lehman Award for Choreography, and two Bessie Awards for Choreography and was named a Master of African American Choreography by the Kennedy Center for the Arts. Source: United States Artists Website
Friday, September 29, 2006
Alonzo King has an angular approach to choreography By: JOEL D. AMOS - For the North County Times Reflecting the passion of a geometry professor, choreographer Alonzo King has an uncanny appreciation for lines and how their combinations create shapes out of the human form. King's dance company, Lines Ballet, has incorporated this simple yet universal shape into its 23-year history. Next for the innovative troupe is a new dance piece that will have its world premiere Saturday at the California Center for the Arts, Escondido. This debut, the San Francisco-based King says, is a culmination of a lifetime of diverse experiences. King has an admirer in his collaborator for Saturday's concert, Indian singer Rita Sahai. "He is so inspiring," Sahai said. After first working together a decade ago, Sahai said she has now created and is performing the score for King's latest ballet. "I am so excited to work with him again." A graduate of the American Ballet Theater School, King also trained with Alvin Ailey and has created works for dance companies across the world, most recently the Swedish Royal Ballet to interpret the work of George Friedrich Handel. His diverse instruction introduced him to a dance tradition that played a part in his life work. "I saw Russian dance and that magnificence of geometry; it was very different," King said. Founded in 1982, the company's moniker, Lines, arose from its founder's bare-bones view of the surrounding world and how it relates to humans careening through their existences. "I think the principal expression of life is movement, so when we look at the physical world, everything is lines," King said. "From terrain, architecture, to people's bodies and the shape of their eyes, it is all lines, whether straight lines or a circle. Whether it's an arc, perpendicular, at 45 degrees or straight, horizontal and the vertical, it is all symbology." The Grammy-nominated Sahai's native music is not only a thrilling artistic influence for King, but personally, he is a little star-struck by her. "She is an amazing woman to be around," he said. He appreciates her effortless artistic communication, an impeccable trait in a singer, King says. "She is just so high-tuned. She is always present, there is no confusion. I love being in her presence. She has made beautiful music for us." King's work is in high demand ---- from choreographing Patrick Swayze to crafting works for the dance world's best. Dancers from the Joffrey Ballet, Dance Theater of Harlem, Alvin Ailey and the Hong Kong Ballet all have King's choreography on their resume. "When you work with different people you are looking for an understanding and to discover artistic sympathy," King said. His global work across cultures and artistic genres has spawned priceless insight. "What I have learned is to be more receptive, to be more patient and to listen better." Sahai rarely delves beyond her Indian musical landscape. However, when called by Lines Ballet, she could stretch artistically. "With Alonzo, I have a challenge," she admits. King's creativity forces her to stay true to her roots while still matching his company's artistic presence. "To provide what he needs, I must leave my own personality and embrace it at the same time." King compares the creative process to a scene repeated frequently across Quaker cultures. "All those people get together. They leave their places and occupations and go to help someone build a house," he said. "It is all about creating this world as opposed to what they're getting from it. We are going to build something together. That becomes the North Star we work towards. Everything else becomes minimal." As a young child he became compelled to dance from observing people's movements. "There is an age when you listen to people's vibration rather than what is coming out of their mouth. I remember being around adults and noticing how they held their bodies and moved. What they did with their bodies seemed more truthful," King said. Owner of numerous awards, he treasures most working with the people who bring his vision to life. "I admire dancers tremendously. For them, it is about thoughtless generosity and ceaseless giving," King said. "They are ceaselessly trying to refine and they're obsessed with accuracy. The possibility of actually becoming a living idea and having it occupy you is big stuff." After two decades of living a dream, King can occasionally have the luxury of reflection. "When I'm able to get my head a little above the workload, I am very grateful. This is the choice I've made. We have done a lot of good work all over the world," he said. Reflective of his selfless dancers, King quickly deflects praise. "I can honestly say I do not do this alone. I have people from costumers to business people to dancers who have given their life to this. We are all building that house together." Source: North Country Times
Tuesday, August 29, 2006
George Washington King III Dear Friends and Family, It is with a heavy heart that I am writing to inform you of the passing of George. After a lengthy battle with cancer, George quietly passed away at 9:10 pm Monday evening at home. He was surrounded by family members during his final moments. While we are all grieving over the loss of a tremendous man, arrangements are being made to celebrate his life. Details of the viewing and memorial service will be announced in the coming days. Another email will be sent out then. Please pass this along to anyone who is not on this email list. George may no longer be with us in body, but he'll always be here in spirit. I know that he is smiling down on us now, his arms outstretched, hugging us all. Love, Jo Ellen
Emmanuel Jackson 1930-2006
Peggy, Leland and C.B. King Featured in Book on Death and Mourning The following is an excerpt from Giving a Voice to Sorrow: Personal Responses to Death and Mourning by Steve Zeitlin and Ilana Harlow (page 62): The coffin of CB King, Esq., a prominent black Civil Right attorney who represented Martin Luther King Jr. among others, reflected his modesty. "It was so much him," his daughter told us. "His whole image of exiting this world was really about the elegance of simplicity -- being simply buried in something that is crafted by your children." When Peggy King-Jorde and her brother made their father's coffin, at his request, she felt she was creating a safe place that would embrace him. As she describes, "I have such a wonderful memory of crafting the coffin. Maybe because it was such a beautiful day. What I remember was that it was it was just so satisfying. I felt like I was creating this very safe environment for my father. I knew he wasn’t really in his shell anymore, but there was just something very satisfying about creating this safe place for him. And then after we completed it, our family enjoyed knowing that, 'Okay, now we're ready to sort of let go.'" Giving a Voice to Sorrow was published in 2001 as a 224-page paperback by Perigee. This book offers a lovely and moving account of the different ways people come to terms with grief and loss -- using storytelling, personal ritual, and memorials to commemorate, honor, and heal. The book begins with an extended chapter devoted to the story of Jesse, a teenager dying of cancer and the creative ways he, his family and community honored this process through actions such as building a sauna, a totem pole, and other rituals. The book continues sharing stories such as the artist who creates commemorative quilts, the mother whose stillborn child was honored through a women’s ceremony, and the children who helped their aging father create the casket of his dreams so that he could feel that he had a safe haven for his body when he passed. Overall this is a wonderful examination of how, despite our culture's silence (and sometimes shame) around death and loss, people are finding very creative and inspiring ways to face and embrace death as part of life. Click here
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